From Chicago to the UK and back to LA, the Acid House scene infiltrated the late 1980s' and early 90s' club scene despite some heavy heat from authorities and hallucinogenic concerns. Key players like DJ Pierre and even superstar trance producer Paul Oakenfold guided the way with resonant TB-303 squelches and deep 909 kick drums pumping energy on the dance floors. Acid influenced many offshoot genres. One of them was New Beat which would shape EBM Industrial for decades to come. Club promoters like Randy Moore facilitated high capacity venues filling in Los Angeles with wide eyed youth dancing to this new sound. 

“Marc Grouls: "Here in Belgium we can't dance to an Acid record on normal speed - we can't follow it because we don't take drugs or anything! You just need a beat to bring you into a trance, with not too many words. It's not too difficult, it's dance music."”

"DJs from all around Belgium were playing 'Flesh' at different speeds," explained Electronic music Producer Praga Khan. "I saw there was a strange atmosphere on the dance floor when they played the record, so I asked Bellucci to produce another record with the same ingredients."

Roland Bellucci (Rolan Beelen) and Praga Khan (Maurice Engelen) started the Antler Subway Records label which would be home to 100 recordings with these same ingredients in one year under many pseudonyms.